Morrissey - The Teachers Are Afraid, аккорды
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#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Date: Fri, 13 Oct 95 21:23:20 EDT From: Winston Campbell Subject: THE TEACHERS ARE AFRAID OF THE PUPILS by Morrissey What can I say about this. I think, pretty sure, that the violin riff that plays out through the whole eleven minutes of the song can be played as (although a several violins would be much better) is:E---6------4----------3------2--------|B------------------------------4------|G-7----------6------5-----------------|D-------------------------------------|A-------------------------------------|E-------------------------------------| The weird thing about this song is that there are many extemporaneous guitar parts and that violin line keeps repeating. Now, what makes this song interesting is the underlying droning bass and the song~s mood swings. I am not sure what chords are being played as opposed to them being major or minor. It is all trivial to me. So keep in mind that my transcription (the chords on top of the words) are merely which note the bass would play. You can play them chord wise (of course), but if you do I suggest you play them in a power-chord way, especially after the first -to be finished would be a relief- part, where the song goes to a new rocking height (you know what I mean). So here we go: Intro:BbDbCB(played six times)BbGF#Athere~s too many peopleGEbBBbplanning your downfallGF#Awhen your spirit~s on trialGEbBBbthese nights can be frighteningBbDbCsleep transports sadnessBBbto some other mid-brainBbDband somebody hereCBBbwill not be here next yearGF#Aso you stand by the boardGEbBBbfull of fear and intentionGF#and if you think that they~re listeningAGEbBBbwell...you~ve got to be jokingBbDboh you understand changeCBand you think it~s essentialBbGF#AGEbBbut when your profession is humiliationBbGF#say the wrong words to our childrenAwe~ll have youGEbBoh yes, we~ll have youBbDblay a hand on our childrenCBBband it~s never too late to have youBbDbCmucous on your collarBBba nail up through the staff chairGF#Aa blade in your soap panGEbyou cry into your pillowBBbGF#to be finished would be a reliefAGEbto be finished would be a reliefBBbDbto be finished would be a reliefCBto be finished would be a reliefBbDbto be finished would be a reliefCBto be finished would be a relief (my favourite part of the song...where it all begins to make sense)BbGF#F#AGEbBBbGF#F#AGEbBBbDbCBBbDbCBBbGF#F#AGEbBBbGF#F#AGEbBBbDbCBBbDbCBOkay, that guitar riff (which is repeated six times) is played with the Bb, Db, C,Bbass parts. About now you should get the whole gist of the song (it really has two parts to it). The guitar riff is:BbDbCBE---------6-------|---------6-------|-----------8--------|---------7-------|B-------6---6-----|-------6---6-----|---------8---8------|-------7---7-----|G---7-8-------8-7-|---6-8-------8-6-|----9-10-------10-9-|---8-9-------9-8-|D-8---------------|-8---------------|-10-----------------|-9---------------|A-----------------|-----------------|--------------------|-----------------|E-----------------|-----------------|--------------------|-----------------| After that the following thing is played (again):BbGF#F#AGEbBBbGF#F#AGEbBBbDbCBBbGF#say the wrong words to our childrenAwe~ll have youGEboh yes, we~ll have youBBbGF#lay a hand on our childrenAGEbBand it~s never too late to have youBbDbto be finished would be a reliefCBto be finished would be a reliefBbDbto be finished would be a reliefCBto be finished would be a reliefBbGF#to be finished would be a reliefAGEbBto be finished would be a reliefBbGF#F#AGEbBBbGF#F#AGEbBBbDbCBBbDbCBThe bass and everything fades and that lovely orchestra thing comes in and everything sort of fades from there. You have to escuse my over transcribing everything. I do not know. Aah, please, if you have any comments, criticisms, or just want to shoot the bull right between the eyes, just email me. I will be greatly appreciated. Bye-bye...
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