Dry Cell - Sorry, аккорды

Прокрутка
Тональность
Шрифт
100
This is 100% correct

Sorry


Drop 
Db
=drop
C#
pm=palm mute b=bend,h=hameron L=lift off listen to find the srumming pattern on these chords Eb|2-----0times2-----0-----0-times2(both)------------------|| Bb|0-----0-----------0-----3-------------------------------|| Gb|2-----2-----------2-----2-------------------------------|| Db|2-----2-----------0-----0-------------------------------|| Ab|0-----0-----------0-----0-------------------------------|| Db|--------------------------------------------------------|| played at 17 seconds Eb|-------------------------------------|| Bb|-------------------------------------|| Gb|-------------------------------------|| Db|5--4---------------------------------|| Ab|------5------------------------------|| Db|-------------------------------------|| heavy part, first played at 20 seconds,listen for stumming/timing Eb|-------------------------------------|| Bb|-------------------------------------|| Gb|-------------------------------------|| Db|2-----0------------------------------|| Ab|2-----0------------------------------|| Db|2-----0------------------------------|| played at 27 seconds Eb|-------------------------------------|| Bb|-------------------------------------|| Gb|-------------------------------------|| Db|-------------------------------------|| Ab|4-4-5--4--4--0-----------------------|| Db|-------------------------------------|| played at 30 seconds, uses sum fx, chorus, reverb Eb|---------------------------times4-----------------------|| Bb|-----------15----14-------------------------------------|| Gb|9--12--14------------15--10-----------------------------|| Db|--------------------------------------------------------|| Ab|--------------------------------------------------------|| Db|--------------------------------------------------------|| this part is played palm muted in the backround of the part above, listen for stumming/timing pattern Eb|-------------------------------------|| Bb|-------------------------------------|| Gb|-------------------------------------|| Db|2-----0------------------------------|| Ab|2-----0------------------------------|| Db|2-----0------------------------------|| pm played at 1:50, listen for number of strums on open string before bend Eb|-------------------------------------|| Bb|--------times3-----------------------|| Gb|------4b-----------------------------|| Db|0------------------------------------|| Ab|0------------------------------------|| Db|0------------------------------------|| starts at 2:00, fx are used, that at the end is tapping Eb|------7--------------------7-----------tap-times3-------|| Bb|8--7-----8--7--------8--7-----8--7-----5h7h9L7L5--7b----|| Gb|---------------7--------------------7-------------------|| Db|------------------0-------------------------------------|| Ab|------------------0-------------------------------------|| Db|------------------0-------------------------------------|| guitar1-played at 3:00 Eb|---------------------------------------------times2-----|| Bb|----------------times2-----------------times2-----------|| Gb|-------times4-----------------times4--------------------|| Db|15-14-0-------15-------14-12-0-------14-----------------|| Ab|--------------------------------------------------------|| Db|--------------------------------------------------------|| guitar2-played at 3:02, volume swells in Eb|----2-times3-----0-times6-----2-times6-----0-times6-----|| Bb|--------------------------------------------------------|| Gb|--4------------2------------4------------2--------------|| Db|2------------2------------2------------2----------------|| Ab|--------------------------------------------------------|| Db|--------------------------------------------------------|| end with this chord on 3:20 Eb|-2-----------------------------------|| Bb|-0-----------------------------------|| Gb|-2-----------------------------------|| Db|-2-----------------------------------|| Ab|-0-----------------------------------|| Db|-------------------------------------|| Tabbed by John Bowdish of ImpurVisionsDotCom